As people from supposedly the world’s largest street performers' colony shift to the transit camp at Anand Parbat, let us relate the story of their ancestors arriving there
The Kathputli Colony at Pandav Nagar, off Patel Nagar,
is in the news(March 2014) because its inhabitants are being “temporarily” uprooted
so that 2,800 small flats could be built there for them and the rest of
the area used for other development projects. The Kathputli colony,
which bears a striking resemblance to Kathputli town on the way to
Jaipur, came into being in the 1950s when the longest route bus no. 9
from Kingsway Camp used to end in the vicinity at Shadipur after its
extension from the original end-point, Reading Road (now Mandir Marg).
It is worth recalling that the ground occupied by the colony was once
part of the Chauhan Rajput stronghold as it was there that the remnants
of Prithviraj Chauhan’s clan had holed up during the initial years of the Delhi
Sultanate following Rai Pithora’s defeat in the second battle of Tarain.
In those days there was no Karol Bagh but the area beyond the
Jhandewalan temple was protected by the Ridge, which served as a barrier
to the expansion of the Sultanate. It was from here that Prithviraj
Chauhan’s son-in-law marched to engage the new rulers in a ferocious
battle near what is now Pusa Institute and in which he was unfortunately
killed, after which his wife, Bela committed sati. Bela-ka-Mandir was
one of the famous temples built by her father in Jhandewalan but the
exact spot of her samadhi is not known though it is believed to have
been on the mound above the Panchkuian Road cremation ground.
When
the people from Rajasthan occupied the vacant land that was to become
their colony some 60 years ago it was not as if they were trying to
reclaim the places associated with the Chauhan Rajputs, who ruled from
both Delhi and Ajmer. The reason was that there was no hindrance to
their camping there as it was outside the city limits. However one
attraction was that trains to Jaipur and other Rajasthan cities passed
that way and fed the nostalgia for their erstwhile habitation. One
remembers cycling to the colony — not known as Kathputli then — from
Regharpura, where the Reghars or dealers in skins engaged in
shoe-making, had settled down. The Reghars were the camp followers of
armies engaged in internecine battles during the twilight of the
Mughals, though some think even earlier. After the battle they would
skin the carcasses of animals and also allegedly plunder whatever they
could.
The puppets were not all Dhola-Maru and the blind camel
stuff. There were those of Rajput rajas and chieftains like Alha-Udhal,
also those of Pathan and Mughal rulers. Comic
characters in the form of the dhobi and dhoban and the Tees Mar Khan
(who killed 30 flies and gained the hand of the king’s daughter as her
father thought that he had slain 30 warriors.) A touching scene was of
the washerwoman weeping for her husband, carried away by a crocodile.
At
dusk the puppeteer arrived with his wife and child, still not weaned,
and set up a cot covered with a sheet, placed a lantern in front of it
and the tamasha began, with the audience seated all around and the wife
playing the dholak, while her husband played the flute or tateeri,
besides juggling the puppets. One of whom kept up the refrain, “Thodi,
thodi aur bajeygi” (I’ll play a bit more). The most popular puppet was
Amar Singh Rathore, who had defied the might of Shah Jahan at the royal
court by slaying Salabat Khan, Nur Jahan’s kinsman through he lost his
life too, along with that of the horse on which he had jumped over the
walls of the Agra Fort.
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